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Busting the Resolution Myth
There are some common misconceptions about the right resolution to scan film to, based on the gauge of the film. We look at this in detail.
Now offering HDR film scanning for 8mm, 16mm and 35mm film
Expose hidden detail with multi-flash HDR scanning
The Case for Super2k
Super2k is a sharper, crisper 2k scan that takes full advantage of the large sensor in our film scanner. Here we look at the difference between two scans: one regular 2k, one Super2k.
Just how big are those files, anyway?
Wondering how big your 4k scan is going to be? Look no further! Here we break down the data rates on all the common formats (DPX and ProRes) at resolutions higher than HD.
Historic footage of 1963 Birmingham, AL protests
Screening Old Film Prints
Great article on efforts to keep 35mm and 16mm feature film projection alive.
How our scanner handles damaged film
Our film scanner is not only sprocket-free (so it can deal with damaged film more easily), but the digital "pin registration" works even if the sprocket holes are damaged. This is a video we made that shows that in action.
Lost Forever: The Art of Film Preservation
Lost Forever: The Art of Film Preservation is a 27 minute documentary that covers the history of film preservation, from early nitrate film up to digital media preservation.
Logmar Super 8 camera in the works for 2014
This is an image of the prototype of the new Logmar Super 8 camera being built in Denmark, with a scheduled ship date of Spring 2014. It uses a standard Super 8 cartridge, but as you can see the film is pulled out and threaded like a 16mm or 35mm camera.